Tagged with Writing

Author Interview:Jo-Anne Vandermeulen

Jo-Anne Vandermeulen is a Canadian, a writer, and inspiration. With two books out, including a novel, Jo-Anne has overcome her own obstacles to follow her dreams. An English major, graduated from the University of Saskatchewan, she had to give up teaching when she was diagnosed with an illness that forced her to get out of the classroom. Now, with the novel Conquer all Obstacles, and the non-fiction book Promotional Tips for Writers, Jo-Anne is inspiration for many.

What inspires you to write the way that you do?

Mostly, I write naturally. The words come to me from my thoughts. The thoughts come from prior experiences which is mixed with a highly and vivid imagination.

Many of the scenes are created from where I’ve been. The characters are completely fictional–created personalities evolve or grow as the story proceeds.

When I wake up, I cannot wait to get writing. It’s like reading a real good book…I cannot wait to see what happens on the next page, and how the character transpires.

The plot or story is pre-planned, yet  the details are created as I write.

My muse rouses after I’ve read a good book, seen a great movie, or even listened to someone talk. My dreams are also another means of inspiration.

When did you start writing? What did you start writing?

I started writing when I was going to school. I remember back when I was in Elementary, I’d write poems and short stories. Quite often, mine were selected to be read aloud to the rest of my classmates.

I had pen-pals growing up. Gosh, I remember writing so many pages that I had trouble closing the envelope.

I wrote daily in a journal.

My book writing began in 2006. My first book was actually three. I wrote an inspirational trilogy.

Have you always wanted to be an author? Or was this career choice a surprise?

 

Like my illness, this career choice was a complete surprise. 
I’ve always wanted to write a book, but never had the time. In 2006, when I got sick, I had the time to become an author.

Who was your favourite author when you were young?

When I was young, I only read what I had to. I hated reading!

I had a lot of trouble with the education system. In Grades 3-6, I failed the regular language arts program and was forced into a remedial reading program, because I was so behind. I never passed a spelling test.

And I had a difficult time catching-up as we moved around quite a bit.

Miraculously, I entered grade seven and things changed…I graduated from the remedial reading program and entered the regular English program. By the end of that year, I was rated top 1/3rd of my class and didn’t even have to write the final.

I never had a favourite author until I was in high school and had to read “The Stone Angel” by: Margaret Laurence.  Suddenly, my attitude changed, and I began to enjoy reading. Looking back, I actually fell in love with writing before reading.

After high school, I was accepted in the University of Saskatchewan where I earned a four year Professional A Certificate and a Degree in Bachelor of Education. I majored in English. I loved to read! Since I could relate to reading difficulties, I wanted to help students struggling with language arts.

I taught school for 20 years. During the final decade, I taught grades 5 & 6 Language Arts. My favourite author was Gary Paulsen.

Can you describe your writing process on how to create a book (novel)?

Creating a novel, I first create a story outline– a beginning, middle, and an end. Then I add the ‘filling’. I write a rough copy. I try not to edit until I’m finished. I write a chapter a day, so within a month, the book is done….well, the rough copy is finished.

Once the rough copy is complete, I go back and summarize each scene/plot on sticky-notes. Each character has his/her own colour. Strewn down my hallway, looking like a valley, are coloured stick-notes of the entire story–the escalating scenes are posted higher like mountain peaks.

In my opinion, writing the story is the easy part…it’s the editing that is the most difficult. I must rewrite the first 20 pages about 35 times.

I sift through each sentence of the entire book for clarity and improved description and/or vocabulary. Sometimes, I’ll even add another scene; but mostly, I’ll cut and cut and then cut some more.

Less words rather than more is often more powerful.

The final stage of edits is the punctuation/grammar/spelling check.

After I read the novel aloud (from front to back), I hand the manuscript over to one or more critique partners. He/she will submit his/her evaluation which I’ll consider for more changes.

Voluntary people then read the ‘working’ manuscript and add their opinions.

I enter contests and have judges critique and write their suggestions.

Once I’ve taken in everyone’s opinions/suggestions, I revise the manuscript again.

Finally, I’m ready to hire a professional editor.

Together, we go through each chapter and discuss even more changes.

Once the book has been read over again for a final coherence, it is ready for publication.

Did you ever feel like you chose the wrong career? Or is the dream kept alive by the excitement that you are actually doing what you dreamed of doing?

Becoming an author actually found me rather than me choosing writing as a career. The dream of writing a book was just a start…it is my passion that keeps the career going. I love writing!

Since publishing my first book women’s fiction (suspense/romance), “Conquer All Obstacles”, many doors have opened. I’ve expanded and grown.

I let God lead the way. He’s with me as I enter these foreign rooms. After writing my first book, I began studying the business side to writing. Marketing became my new passion. Not only did this new journey help in selling my book; but also, resulted in my next book which is a nonfiction called “Premium Promotional Tips for Writers”.

When you write your novels, do you intend them for a certain audience?

I don’t target a certain audience when I write. It’s after the book is complete that I decide on who would enjoy or benefit the most.

“Conquer All Obstacles” is written for ages 18 and over and for those who are searching for an intelligent read. I don’t ‘spell’ everything out, it is up to the reader to make inferences. There are twists in the plot that challenge the reader…kind of like that ‘oh wow!’ feeling of total shock. I feel that the reader has to be prepared to ‘think for themselves’. Not the kind of book to skim…the details are there, but are only presented once. I have written “Conquer All Obstacles” so the reader becomes the characters and live the story. Definitely filled with roller coaster emotions with growth happening in each character…so a learning book for themselves,  if one can relate to the drama.
Why did you choose to self publish?

My first choice, at the time (almost 3 years ago), was to go the traditional publishing route. I queried/sent submissions to a lot of different agents and had a lot of nibbles, but no real bites. It was then I realized that in order for me to ‘get in’ or accepted was going to be very difficult. The traditional publishers were very tight.

I took the rejections as a sign to explore other options to publish.

I looked into self publishing and small publishing firms. The process was achievable and very attractive. Self/small publishing allows me to attain the control of my book. I’m in control of the who, where and what is done with the final product. It feels more personal and my style.

Since the main obstacle to self or small publishing is the expectation of having full responsibility to market, I knew I could do it.

I must also add, that the time frame (going the traditional route) didn’t sit right with me. I didn’t want to wait 2 or more years to see my book in print.

If a big publishing house offered to publish another book of yours, would you?

No…but if a traditional publishing firm requested to republish a book I’ve already published, I’d probably take them up on their offer. For example, if a legit traditional publishing house offered to republish “Conquer All Obstacles” or “Premium Promotional Tips for Writers” I’d probably say yes.

When another new book becomes available and a big publishing house offered to publish it, I’d really have to think about it before I gave them my answer.

Can you relate to Tara in any way? Or is she completely the opposite of you?

I can totally relate to all of my characters. A writer has to be able to relate so they can crawl into his/her ‘head’ and write in their point of view.

I can even relate to my villain, Devin. In order for me to portray his ‘real’ malicious character, I had to go into his head. Now, because I cannot relate to an abusive perpetrator, I had to do a lot of research. It’s a real challenge to become a character you’re not. Reading books, interviewing people, and even watching the hour show ‘Criminal Minds’, helped me understand the insanity of an individual who turns to violence.

Another example of how I can relate to my characters is when I crawled into Josh’s head. I wrote the scene of him making love to Tara…and wrote it in his point of view. I could have written this passionate scene in Tara’s ‘head’, but wanted the readers to be able to relate and understand Josh’s feelings and emotions. Now for me to be a man in this intimate role, I had to really use my imagination and portray the scene in his perspective. I was so so thrilled when I presented chapter one to ‘men’ readers and they responded by telling me that I ‘nailed’ the scene perfectly.

In Conquer all Obstacles, who is your favourite character and why?

I have to say that Marvin is my favourite character. He is so likeable. Even though Marvin is an adult who is mentally challenged, he holds the story together like mortar in a brick building, and is often the smartest among all as he presents life in a simple fashion.

What is in the cards for your career?

Daily, I have been marketing on the Internet and building my author platform by targeting my audience and  generating relationships.

Presenting my books to online distributors, writing guest posts, submitting articles to magazines, responding to interviews, and adding valuable content to my blogs where my followers can take away, are all part of the marketing tactics.

I read for new marketing strategies and share my knowledge with others. It is important to supply ‘information’ so new friends will be attracted and initial followers will keep coming back. Friends become followers, followers become fans…and it is the fans who’ll most likely purchase my books.

I’m in the process of expanding my viewing audience. Instead of just sharing practical marketing tips for writers, I’m in the process of generalizing these ideas and targeting entrepreneurs, musicians, marketers, and all those who are selling products online and need more exposure. New editions for “Premium Promotional Tips for Writers” will most likely be written.

My next plan is to promote locally. In the Fall, I’ll contact the papers and other forms of media. I’ll be heading out on a physical book tour and attend my own book launching or signings. This is when the author becomes a publicist, marketer, and distributor…and all at the same time.

Any hints to aspiring writers?

New authors need to write the entire story before thinking about the ‘work’ that goes into publishing. Enjoy the journey and really spill everything out. Don’t worry about mistakes or whether what you’ve written makes sense…just get it down.

If your goal is to publish your book, be prepared to persist, persevere and have a lot of patience.

Keep your goals attainable. It’s okay to plan, but try not to plan the outcome. Keeping your expectations in tact is HUGE!

I often tell new writers to start a blog. It’s free and simple. By creating short articles (the topic should be something you’re passionate about…it shouldn’t be a chore) in your blog is the first taste of publication. Reactions and responses from your viewers will most likely guide and encourage you to write some more….and the key to become a better writer is to write every day.

Thanks to Jo-Anne for doing this interview, and giving time to this. For more information on her novels as well as herself, visit her website at http://joconquerobstacles.com/.

 

(Also attached to Author Interviews, right here)

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Emma’s Party: Some Hints

It doesn’t really make sense. You can outgrow people as easily as desks. Shouldn’t the people you have been friends with for years stay that way? Who changes in the scenario? And who changed in mine? Emma or me?

I don’t really know the answer to that question.

Page 121 from Emma’s Party, Geneva’s POV. Chapter 19

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Author Interview:Daniel Clausen

Daniel Clausen  is an author of many faces. He has written all sorts of different works, varying from news-articles to novels. Already having written a novel The Sage and the Scarecrow, and a collection of short stories as The Lexical Funk, Daniel certainly has experience in the field. Currently writing a brand new novel, The Ghosts of Nagasaki, Daniel provides readers with a comical and interesting way to read. He is a graduate from the University of Miami (Cum Laude) with a degree in English and American Studies. In addition, he has completed graduate course work in International Relations and public policy. He also enjoys reading and speaking Japanese in his free time. Writing since he was an elementary kid, Clausen knows what he is doing when it comes to the world of writing.



You have a unique and almost strange style of writing that is entertaining and enlightening. What inspires you to write the way that you do?

In a lot of ways I see my writing style as a product of my lifestyle outside of writing. In short, I am a boring, mild-mannered person. Often, I find in order to do the kinds of things I want to do outside of writing–teaching, helping others, writing academic essays–that I have to be disciplined, hardworking, even conservative with how I live my life. Writing short stories and word-novelties helps me retain what I consider the best part of myself–my creative inner child. For this reason, I also find novels very hard to write. I find that I have to find reserves of energy just to keep myself disciplined long enough to stay in a consistent voice. Free writing helps me feel like an artist-writer.

Who influences you the most?

It’s hard to pin down one influence. For a while now, I’ve been enamored with Haruki Murakami–his soulful narratives of haunted every day lives makes me feel that he somehow understands how the world can be at once hopelessly drab and oppressive and at the same time magical. Before that Philip K. Dick and JD Salinger were big on my list. But other influences seem sporadic and random. For some reason, I love Hamlet but have trouble connecting with other Shakespeare plays. I love the music of Weezer and listened to them nonstop while writing my first novel the Sage and the Scarecrow. Their album Pinkerton was a deep inspiration for that book, but beyond that I think it’s hard to pin down the band’s influence.

The connection between Catcher in the Rye and Sage and the Scarecrow is so apparent to anyone who has read the book that it’s almost hardly worth pointing out. At the same time, I wanted Sage and the Scarecrow to be influenced by an Eastern philosophy. Thus, the Tao Teh Ching was also influential. When that failed, I just tried to write as honestly as I could. Sometimes it hurt.

My new book The Ghosts of Nagasaki is influenced heavily by Toni Morrison’s Beloved–perhaps the greatest American novel ever written. It’s also influenced by Japanese sob-romance movies (Ima Aini Yukimasu–Now I Go to Meet You)) and Endo Shusaku’s Silence (Endo appears as a character in the book, since he wrote Silence in Nagasaki).

If you compared yourself to any other writer, who do you think you share similarities with?

I’m not sure–but friends have said that the main characters in my novels sound too much like me. I think this is less of a problem in my short stories (hopefully). Not sure.

When did you start writing? What did you start writing?

I started writing in elementary school. I remembered the thrill I got reading a short story to my friends in class called The Treasure of New Mexico. I was very young at the time, so of course I put my friends and myself in it as heroes fighting bad guys. For a long time, all my stories were heroes fighting bad guys. It’s hard to say whether I’ve evolved from this, or whether I’ll start writing serious stuff any time soon :) .

You have written full length novels, short stories, and articles. Out of all of those, what do you prefer to write and why?

In a sense, the forum doesn’t really matter. What matters most is finding that one perfect writerly moment. When you’ve reached that writerly moment you’re so involved in the world of your story and everything seems to generate itself so perfectly that nothing else really matters. I’ve had writerly moment writing articles, essays, short stories, or just shooting hoops while imagining movies in my mind. I’ve found that adulthood is not too receptive to creating these perfect writerly moments. Luckily, I have notebooks and notebooks full of story ideas from my younger years–crafting these into publishable works feels more like a craft than an art. There is different joy that comes with doing the craft element (compared with finding the writerly moment). The craft element is more of a kind of professional (almost guild-like) honor.

Was your dream to be a writer supported by your parents, or were you on your own when it came to following that path?

Surprisingly, yes. No one ever discouraged me, and actually (and strangely) everyone assumed I would be a monumental success (I’m not, but no one seems to point this out to me). In terms of financial support, I was more or less on my own (and never really thought it fair to ask for help), although my family did everything in their power to help me graduate from college (BA in English). I have nothing but heartfelt appreciation and awe for the support I received.

Did you ever feel like you chose the wrong career? Or is the dream kept alive by the excitement that you are actually doing what you dreamed of doing?

Well, actually writing isn’t my career. At the ripe old age of 28 I’ve crafted a somewhat odd and eclectic anti-career. I’ve published books and short stories but never made anywhere near enough money to support myself in any meaningful way with my writing. I’ve been an English teacher overseas, worked in coffee shops, worked as an assistant to the handicapped, and have now taught college level classes in International Relations, human geography, and English composition. In the near future, I’ll probably try to get a job working in international affairs.

I actually have mixed feelings about “making it” as a writer. I worry about the corrupting influences of success. I worry about the many non-writing roles I’ll have to assume to be a professional writer. I think I actually am a better person–more humble and hardworking–when I have to deal with my own limitations. It also makes me pay more attention to other struggling writers. There are a lot of good independent writers out there. Balancing my new life as a quasi-academic and writer has pushed me beyond my limits at times, but in the end I think I’m a better person for it. I’m not sure I would want to give up my new found life as a teacher and scholar if my new novel The Ghosts of Nagasaki did happen to get picked up by a large publisher. I’ve put a lot of hard work into becoming a good teacher and professional.

When you write your novels, do you intend them for a certain audience?

I’ve actually had a difficult time understanding who my target audience is. Because I like writing such diverse works, I’ve found it difficult to craft an identity for myself that I can market easily to people. I’ve read a few articles that suggest that crafting a well-known voice, well known characters, and developing a consistent readership is the path to professional success. With un-success, however, comes quite a bit of freedom. No one tells me what to write.

Readers of the Lexical Funk have told me that they love some stories and hate others. The delightful thing about reader responses so far is that everyone has a different favorite short story. That actually makes me feel validated.

What is your favourite novel/article/short story that you have written to date? Why, and do you consider this to be your best accomplishment?

The Ghosts of Nagasaki–by far. I think this novel is something special. When I feel I’ve written something special, I feel like I have to get it in people’s hands. The hardest part for me is being patient with the process of submitting the novel to agents. Publishing is slow. You grow old waiting for people to read your stuff and take you seriously. It doesn’t matter if its academic articles, short stories, or novels. You submit your work and then go off to watch the grass grow and your hair thin out.

You are currently writing a new novel, Ghosts of Nagasaki. Can you give us in hints as to what it contains?

One night a foreign business analyst in Tokyo sits down in his spacious high rise apartment and begins typing something. The words pour out and exhaust him. He soon realizes that the words appearing on his laptop are memories of his first days in Nagasaki four years ago.

Nagasaki, the non-birthplace of atomic warfare, but instead its brother, second cousin, was a place full of spirits, a garrulous Welsh roommate, and a lingering mystery. Though he wants to give up his writing, though he wants to let the past rest, within his compulsive writing lies the key to his salvation.

Somehow he must finish the story of four years ago—a story that involves a young Japanese girl, the ghost of a dead Japanese writer, and a mysterious island. He must solve this mystery while manoeuvring the hazards of middle management, a cruel Japanese samurai, and his own knowledge that if he doesn’t solve this mystery soon his heart will transform into a ball of steel, crushing his soul forever.

http://daniellclausen.wordpress.com/the-ghosts-of-nagasaki/

And, finally, any hints to aspiring writers?

The best advice is: the simplest–read and write; more importantly, read like a writer.

The other advise has to do with the everyday minutiae of  being a writer (and trying to be a functioning adult at the same time): Create a plan that involves equal doses of prudence and boldness. Know exactly what you want to get from the writing process. Know how the process of writing is going to affect your relationship with your family, friends, and other career aspirations. Ask yourself hard (but necessary) questions early like: Why do I write? What do I want personally from the act or writing? How is writing a way of relating to people? How can I create a modus vivendi (mode of living or surviving) as a writer even when life is not amenable to my ideal visions of what a writer should be? What are very practical goals for myself as writer in 6 months, 1 year, 3 years time?

For me, understanding the ways that writing makes me a better person in my everyday life has helped sustain me as a writer. That is what the conclusion to The Lexical Funk is essentially about. Writing–like any form or expression–can be dangerously personal and absorbing. One of my greatest successes as a writer is that I’ve continued to find ways to succeed as a human being.

Thanks very much to Daniel Clausen for providing the opportunity to do this interview. For more information on him and his novels, visit his website, http://daniellclausen.wordpress.com/

(Also attached to Author Interviews, right here)


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Emma’s Party: Some Hints

I don’t hurry to my next class. That would be a waste of a note; I have the ability to walk about until I see fit.

Page 118 from Emma’s Party, Emma’s POV. Chapter 18 

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Emma’s Party

I watch the prairie sun dip below the hills in the distance, just at the edge of the driveway. The trees turn to looming silhouettes in the falling light. I take a steadying breath. When I exhale, the rest of the yard is enfolded in shadows. The sky turns red-ish pink, the tip of the sky turning dark, like the sun is still fighting, even in death. But eventually, the black will take over the brightness, and the land will go still and dark. And we will have to wait for the sun to come back.

  But I know there are never any guarantees. 

Page 110 from Emma’s Party, Fayette’s POV. Chapter 17

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Emma’s Party: Some Hints

This friendship with Fay will be a fight. It will be a struggle that I am determined to win. This girl needs help, and I will give it to her.

Page104 from Emma’s Party, Geneva’s POV. Chapter 16

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Emma’s Party: Some Hints

I hold onto the glassy surface for a second longer. Then I drop it.

  It shatters into a million fragmented pieces. For a second, none of us move.    The tension that was slowly creeping into the kitchen feels like it’s going to be a full blown attack. Our eyes lock, both like frost-coated orbs. I see myself reflected in her eyes, a snip of a girl with the same eyes but a deeper sorrow. A girl who just shed her chinked and broken armour to find a better suit that was perfect for everything but the size. I feel like I’m swimming with the reckless and carelessness of the armour. My mother stares at me, and, I don’t back down. The second she breaks away, I walk over the broken glass, turning my back on the spilled wine and my mother. She starts screaming, infuriated, her anger at me overwhelming.

 -Page 96 from Emma’s Party, Fayette’s POV. Chapter 15

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Emma’s Party: Some Hints

  She sits there and lets me stain her shirt with my tears, my emotions a turbulent sea of the unknown, the pain, and the anger. I am like a ship tossed about on it, not sure if I am going to go down, or if I will be able to survive the chaos and confusion, the doubt that leaks in and could be the final drop that sinks me.

-Page 92 from Emma’s Party, Emma’s POV. Chapter 14

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Emma’s Party: Some Hints

  Mom just laughs at me, shaking her head. “Yes, to be seven again. To play in castles built of pillows, and fight dragons shaped as dogs.” She smiles wistfully.

-Page 82 from Emma’s Party, Geneva’s POV. Chapter 13

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Emma’s Party: Some Hints

  I pirouette on my toes, looking at the effect. I see the sales woman at the till gasp, pointing me out to another co-worker. I stop, coming out into a perfect fifth position. My mother shakes her head. “Emma, it’s not polite to show off.”

-Page 79 from Emma’s Party, Emma’s POV. Chapter 12

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